{"id":403347,"date":"2024-10-20T05:05:42","date_gmt":"2024-10-20T05:05:42","guid":{"rendered":"https:\/\/pdfstandards.shop\/product\/uncategorized\/bs-en-iec-60958-32021-tc\/"},"modified":"2024-10-26T09:04:49","modified_gmt":"2024-10-26T09:04:49","slug":"bs-en-iec-60958-32021-tc","status":"publish","type":"product","link":"https:\/\/pdfstandards.shop\/product\/publishers\/bsi\/bs-en-iec-60958-32021-tc\/","title":{"rendered":"BS EN IEC 60958-3:2021 – TC"},"content":{"rendered":"
This part of IEC 60958 specifies the consumer application of the interface for the inter connection of digital audio equipment defined in IEC 60958-1. NOTE When used in a consumer digital processing environment, the interface is primarily intended to carry stereophonic programmes, with a resolution of up to 20 bits per sample, an extension to 24 bits per sample being possible.<\/p>\n
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1<\/td>\n | 30454870 <\/td>\n<\/tr>\n | ||||||
109<\/td>\n | A-30375208 <\/td>\n<\/tr>\n | ||||||
110<\/td>\n | undefined <\/td>\n<\/tr>\n | ||||||
113<\/td>\n | Annex ZA (normative)Normative references to international publicationswith their corresponding European publications <\/td>\n<\/tr>\n | ||||||
115<\/td>\n | CONTENTS <\/td>\n<\/tr>\n | ||||||
120<\/td>\n | FOREWORD <\/td>\n<\/tr>\n | ||||||
122<\/td>\n | 1 Scope 2 Normative references 3 Terms and definitions 4 Interface format 5 Channel status 5.1 General <\/td>\n<\/tr>\n | ||||||
123<\/td>\n | 5.2 Application 5.2.1 Channel status general format <\/td>\n<\/tr>\n | ||||||
124<\/td>\n | Tables Table 1 \u2013 Channel status general format for consumer use <\/td>\n<\/tr>\n | ||||||
126<\/td>\n | 5.2.2 Mode 0 channel status format for digital audio equipment for consumer use Table 2 \u2013 Mode 0 channel status format for consumer use <\/td>\n<\/tr>\n | ||||||
131<\/td>\n | 5.3 Copyright management guidelines for consumer application of the digital audio interface 5.3.1 General <\/td>\n<\/tr>\n | ||||||
132<\/td>\n | 5.3.2 Category code groups Table 3 \u2013 Category code groups <\/td>\n<\/tr>\n | ||||||
133<\/td>\n | Table 4 \u2013 Category code groups for laser optical products Table 5 \u2013 Category code groups for digital\/digital converter and signal-processing products Table 6 \u2013 Category code groups for magnetic tape or magnetic disc based products <\/td>\n<\/tr>\n | ||||||
134<\/td>\n | Table 7 \u2013 Category code groups for broadcast reception of digitally encoded audio with\/without video signals Table 8 \u2013 Category code groups for musical instruments, microphones and other sources that create original sound Table 9 \u2013 Category code groups for A\/D converters for analogue signals without copyright information Table 10 \u2013 Category code groups for A\/D converters for analogue signals with copyright information <\/td>\n<\/tr>\n | ||||||
135<\/td>\n | 6 User data 6.1 General 6.2 Application 6.2.1 User data bitstream 6.2.2 User data message structure Table 11 \u2013 Category code groups for solid state memory based products <\/td>\n<\/tr>\n | ||||||
136<\/td>\n | 6.2.3 Equipment classification Figure 1 \u2013 Example of message structure using information units <\/td>\n<\/tr>\n | ||||||
137<\/td>\n | 6.2.4 User data message length and contents Figures Figure 2 \u2013 First UI contents Figure 3 \u2013 Second UI contents <\/td>\n<\/tr>\n | ||||||
138<\/td>\n | Figure 4 \u2013 Third UI contents Figure 5 \u2013 User information <\/td>\n<\/tr>\n | ||||||
139<\/td>\n | 6.3 Information for synchronization 6.3.1 General 6.3.2 SMPTE time code information Figure 6 \u2013 SMPTE time code information Figure 7 \u2013 LTC information alignment <\/td>\n<\/tr>\n | ||||||
140<\/td>\n | 6.3.3 Latency information Figure 8 \u2013 VITC information alignment Figure 9 \u2013 Latency information <\/td>\n<\/tr>\n | ||||||
141<\/td>\n | 6.3.4 Loudness information Figure 10 \u2013 Latency information alignment Figure 11 \u2013 Loudness information <\/td>\n<\/tr>\n | ||||||
142<\/td>\n | Figure 12 \u2013 Loudness information alignment <\/td>\n<\/tr>\n | ||||||
143<\/td>\n | Annexes Annex A (normative) Application of the digital audio interface in the compact disc digital audio system A.1 Overview A.2 General: application-specific details A.3 Channel status: application-specific details A.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
144<\/td>\n | Table A.1 \u2013 Example of 2-channel compact disc format <\/td>\n<\/tr>\n | ||||||
145<\/td>\n | Annex B (normative) Application of the digital interface in the 2-channel PCM encoder\/decoder B.1 Overview B.2 General: application-specific details B.3 Channel status: application-specific details B.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
146<\/td>\n | Annex C (normative) Application of the digital interface in the 2-channel digital audio tape recorder in the consumer mode C.1 Overview C.2 General: application-specific details C.3 Channel status: application-specific details Table C.1 \u2013 Use of Cp-bit, L-bit and category code for DAT <\/td>\n<\/tr>\n | ||||||
147<\/td>\n | C.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
148<\/td>\n | Table C.2 \u2013 User data application in the DAT system <\/td>\n<\/tr>\n | ||||||
149<\/td>\n | Figure C.1 \u2013 Example of different combinations of start-ID and shortening-ID <\/td>\n<\/tr>\n | ||||||
150<\/td>\n | Annex D (normative) Application of the digital interface in laser optical digital audio systems for which no other category code is defined D.1 Overview D.2 General: application-specific details D.3 Channel status: application-specific details D.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
151<\/td>\n | Annex E (normative)Application of the digital interface in a digital audio mixer in the consumer mode E.1 Overview E.2 General: application-specific details E.3 Channel status: application-specific details E.4 User data: application specific details <\/td>\n<\/tr>\n | ||||||
152<\/td>\n | Annex F (normative)Application of the digital interface with a sampling rate converter in the consumer mode F.1 Overview F.2 General: application-specific details F.3 Channel status: application-specific details F.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
153<\/td>\n | Annex G (normative) Application of the digital interface with a digital sound sampler in the consumer mode G.1 Overview G.2 General: application-specific details G.3 Channel status: application-specific details G.4 User data: application specific details <\/td>\n<\/tr>\n | ||||||
154<\/td>\n | Annex H (normative) Application of the digital interface in a digital broadcast receiver (Japan) in the consumer mode H.1 Overview H.2 General: application-specific details H.3 Channel status: application-specific details H.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
155<\/td>\n | Annex I (normative) Application of the digital interface in a digital broadcast receiver (Europe) in the consumer mode I.1 Overview I.2 General: application-specific details I.3 Channel status: application-specific details I.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
156<\/td>\n | Annex J (normative) Application of the digital interface in a digital broadcast receiver (USA) in the consumer mode J.1 Overview J.2 General: application-specific details J.3 Channel status: application-specific details J.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
157<\/td>\n | Annex K (normative) Application of the digital interface for electronic software delivery in the consumer mode K.1 Overview K.2 General: application-specific details K.3 Channel status: application-specific details K.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
158<\/td>\n | Annex L (normative) Application of the digital interface in the digital compact cassette system in the consumer mode L.1 Overview L.2 General: application-specific details L.3 Channel status: application-specific details L.4 User data: application-specific details L.4.1 General L.4.2 Marker mode Figure L.1 \u2013 Marker mode <\/td>\n<\/tr>\n | ||||||
159<\/td>\n | L.4.3 Extended mode Figure L.2 \u2013 Extended mode Table L.1 \u2013 Layout of message number “000000” <\/td>\n<\/tr>\n | ||||||
160<\/td>\n | Table L.2 \u2013 Deck status codes <\/td>\n<\/tr>\n | ||||||
161<\/td>\n | Table L.3 \u2013 ITTS packet extended message example <\/td>\n<\/tr>\n | ||||||
163<\/td>\n | Annex M (normative) Application of the digital interface in the mini-disc system in the consumer mode M.1 Overview M.2 General: application-specific details M.3 Channel status: application-specific details M.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
164<\/td>\n | Annex N (normative) Application of the digital interface in a digital sound processor in the consumer mode N.1 Overview N.2 General: application-specific details N.3 Channel status: application-specific details N.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
165<\/td>\n | Annex O (normative) Application of the digital interface in the digital versatile disc system (DVD) in the consumer mode O.1 Overview O.2 General: application-specific details O.3 Channel status: application-specific details O.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
166<\/td>\n | Annex P (informative) Use of original sampling frequency, sampling frequency and clock accuracy Figure P.1 \u2013 Player and interface model Table P.1 \u2013 Term definitions <\/td>\n<\/tr>\n | ||||||
167<\/td>\n | Table P.2 \u2013 Cases Table P.3 \u2013 Example <\/td>\n<\/tr>\n | ||||||
168<\/td>\n | Annex Q (normative) Application of the digital interface in magnetic disc digital audio systems in the consumer mode Q.1 Overview Q.2 General: application-specific details Q.3 Channel status: application-specific details Q.4 User data: application-specific details <\/td>\n<\/tr>\n | ||||||
169<\/td>\n | Annex R (normative) Explanations of category code implementation R.1 Multi-media player R.2 Home-recorded medium player Figure R.1 \u2013 Multi-media player <\/td>\n<\/tr>\n | ||||||
170<\/td>\n | R.3 Monitoring output from a recorder R.3.1 Real-time monitoring (direct monitoring) R.3.2 Monitoring after recording Figure R.2 \u2013 Home-recorded medium player Figure R.3 \u2013 Direct monitoring Figure R.4 \u2013 Monitoring after recording <\/td>\n<\/tr>\n | ||||||
171<\/td>\n | R.4 Integrated products R.5 Implementation rule of category code groups for digital\/digital converter and signal-processing products R.5.1 Discrete product worked as a digital\/digital converter or a signal processing unit R.5.2 Integrated product including a digital\/digital converter or a signal processing unit Figure R.5 \u2013 Integrated product Figure R.6 \u2013 Digital\/digital converter <\/td>\n<\/tr>\n | ||||||
172<\/td>\n | R.6 Magnetic disc recorder unit inside an integrated product R.7 Category code assignment R.7.1 No category code in a corresponding category code group R.7.2 No category code group for a corresponding product Figure R.7 \u2013 Integrated product including digital\/digital converter Figure R.8 \u2013 Integrated product including magnetic disc recorder <\/td>\n<\/tr>\n | ||||||
173<\/td>\n | R.8 Other assignment of integrated products <\/td>\n<\/tr>\n | ||||||
174<\/td>\n | Annex S (informative) Application of the digital audio interface for synchronization of audio, video and multi-media equipment S.1 General S.2 Lip-sync system model S.3 How to compensate lip-sync S.3.1 General Figure S.1 \u2013 Lip-sync system model <\/td>\n<\/tr>\n | ||||||
175<\/td>\n | S.3.2 Detection methods Figure S.2 \u2013 Lip-sync compensation Figure S.3 \u2013 Time-code transmission <\/td>\n<\/tr>\n | ||||||
176<\/td>\n | S.4 Use of time code Figure S.4 \u2013 Latency parameter transmission Figure S.5 \u2013 Latency parameter transmission with TLv <\/td>\n<\/tr>\n | ||||||
177<\/td>\n | S.5 Use of latency information S.6 Example of latency parameter transmission method with TLv S.6.1 An example for solving lip-sync problems Figure S.6 \u2013 Example of latency parameter transmission <\/td>\n<\/tr>\n | ||||||
178<\/td>\n | S.6.2 Another example for solving lip-sync problems Figure S.7 \u2013 Another example for solving lip-sync problems <\/td>\n<\/tr>\n | ||||||
179<\/td>\n | Annex T (normative) MPEG Surround over PCM T.1 Format of MPEG Surround buried data frames T.2 MPEG Surround detection Figure T.1 \u2013 Relation between MPEG Surround buried data frame and IEC 60958-3 frame <\/td>\n<\/tr>\n | ||||||
180<\/td>\n | Bibliography <\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":" Tracked Changes. Digital audio interface – Consumer applications<\/b><\/p>\n |